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Ronnie Apteker - Geek made good

- By Heather Dugmore

Launching South Africa's first internet service provider at the dawning of the era of the World Wide Web is just one of Ronnie Apteker鈥檚 achievements. He鈥檚 also an author, public speaker, and movie producer. At the time of the interview he was about to premiere 鈥楳aterial鈥, the South African movie he co-produced. Which is why he doesn鈥檛 have much time to sleep.

鈥淲e invent things to save us time but we have less time than ever before. It鈥檚 called the progress paradox,鈥 he says, ushering the way into his office at Internet Solutions in Bryanston. He still keeps an office here even though the company has been sold to the Japanese, along with his shares.

His office could be mistaken for a 10-year-old boy鈥檚 den, with toys everywhere, including a retro computer arcade game from the online shop ThinkGeek iCADE. Instead of slotting money into the machine he slots his iPad, and delights in the challenges of Atari classics like Asteroids. 

He鈥檚 insistent that nothing gets moved in his office; he knows exactly where everything is in the industrious chaos, where cinema billboards cramming the walls speak of the 11 movies he has produced鈥 Purpose, Jerusalema, Crazy Monkey, Straight Outta Benoni, Material鈥 鈥淭he world is made up of stories. That鈥檚 why I make movies,鈥 he says. 鈥淧eople think it鈥檚 fun, and making a film can certainly be a lot of fun, but selling it is another story altogether. I often get anxious about the money side of things because as the producer everything lands on your shoulders and when things go wrong, not only financial things, I mean anything, big or small, you take the fall.

鈥淎 few days ago, for example, someone with a stake in Material was offended by something one of the cast said to him, and even though I had nothing to do with it, he phoned me and screamed at me for an hour. I listened to him and kept saying 鈥業鈥檓 really sorry sir鈥 but he kept on screaming and I kept on listening. My attitude is that if he thinks I鈥檓 important enough to be screamed at for that long, I鈥檒l let him vent 鈥 it鈥檚 all part of my day鈥檚 work.鈥滱pteker, who is now in his mid-forties, has been working since age 12, when he would wash cars for R3 apiece. 鈥淢y whole family is entrepreneurial. My father started out with nothing; he was an orphan in World War II and he and my mother know the horrors of war. After emigrating to South Africa to start a new life, they opened a clothing manufacturing company in Cape Town, made a success of it and created a good life for us.鈥

What everyone needs in order to succeed and create a good life is 鈥渉ard work and luck鈥, says Apteker. 鈥淚 also believe in keeping your promise, never letting people down, remembering to laugh, and surrounding yourself with good people,鈥 he says. He explores his nice-guy approach to business in the books he has written, including Funny Business: The secrets of an accidental entrepreneur, which he co-authored with Gus Silber.

At the same time he emphasises that success is not all moonshine and roses. 鈥淪uccess is also about getting back up again when you鈥檝e had a proper beating, which I鈥檝e had repeatedly. I get back up again because I鈥檓 obsessed with what I do and because I have a lot of people depending on me.鈥

His experience of the world is that many people do not share his tenets. They do not believe in honouring their word or giving others a gap, and he harbours horror stories from the United States, where he lived for a while, exploring the Hollywood film industry.

鈥淭hey鈥檒l shake your hand and smile at you, and you鈥檒l think you鈥檝e reached an agreement only to discover they鈥檙e out to destroy you. America is the most predatory place I have ever experienced and American greed is such that they leave nothing on the table for anyone else.鈥

He launches into a description of America鈥檚 so-called captains of industry who take their companies for hundreds of millions of dollars, seemingly without conscience. He talks about the 2010 Academy Award-winning documentary Inside Job, which looks at the behaviour in the late 2000s of giant corporates and banks such as Lehman Brothers. Its CEO, Richard Fuld, took US$484-million in salary, bonuses and stock options, then filed for bankruptcy in 2008. Several years before that was the Enron scandal, a similar story - and it is happening all the time.

鈥淧ure Evil鈥

鈥淭hese guys don鈥檛 make the money, they take it and leave millions of people without work. That鈥檚 pure evil. People are getting totally screwed because they鈥檙e na茂ve. It鈥檚 come down to the rich and the rest. And we鈥檝e only seen the tip of it. I reckon there is far worse to come. You can鈥檛 take and take and take without consequence, and then come up with this word 鈥榖ailout鈥. The world hasn鈥檛 seen the worst of it. The way things are going, they鈥檒l be calling the Great Depression 鈥榯he Great Depression I鈥.鈥

Super-greed is a subject on which Apteker has been known to speak at length. 鈥淚t鈥檚 destroying the world, along with the death of communication,鈥 he explains. 鈥淭he youth don鈥檛 know how to communicate anymore. Sending an SMS is not the same as talking to someone. Finding online friends on Facebook is not the same as making friends face to face. You don鈥檛 build trust, confidence or rapport that way.鈥

As for young people who seek his advice and then, when he makes time to meet with them in his oversubscribed schedule, SMS and answer their phones during the meeting鈥︹渢hey certainly don鈥檛 impress me鈥.

Apteker believes everyone is so wired today that people have become dysfunctional. 鈥淚t鈥檚 destroying the soul. People are becoming disconnected and isolated and this destroys confidence.鈥

Technology is not the problem, it鈥檚 people allowing it to control them that鈥檚 the problem, says Apteker, adding that he and his partners were 鈥渋nnocent and quite na茂ve鈥 when they founded Internet Solutions. If he could do it all again, of course he would, but he never envisaged how much it would contribute to the pace of life becoming so intense. 鈥淭echnology fuels this intensity. You have text messages and emails coming through at the same time as landlines and cellphones are ringing. It鈥檚 insane. And if you鈥檙e a nice person you feel obliged to respond.鈥

He finds himself trapped in this whirlwind, which is why one of his favourite quotes is Gandhi鈥檚: 鈥淭here is more to life than increasing its speed.鈥

鈥淲e all like quotations because we believe in them but they鈥檙e not easy to live,鈥 says Apteker, who already has three more film projects on the cards. One is a 鈥渮omromcom鈥 - a zombie romantic comedy, which he describes as 鈥渁 low budget guerrilla film-making project鈥. The second is based on a novel by AHM Scholtz titled A Place Called Vatmaar, and the third is about a British man who meets a Russian woman - we鈥檒l have to wait and see what happens from there. 

Moved by material

In the meantime South Africa will immerse itself in 鈥楳aterial鈥 and Apteker will know if it鈥檚 been a box office success or not. 

What he likes about the movie is that it combines an entertaining story with a reconciliatory message. 鈥淲e have this distorted picture of Muslims whereas this film is about a normal Muslim family in Fordsburg, Johannesburg, making their way in life with all their traditions, dreams and aspirations for their son.

鈥淚t goes without saying that I would like the movie to go all over the world,鈥 says Apteker, who applauds the team with whom he made the film. 鈥淚t鈥檚 the best team I鈥檝e ever worked with and Riaad Moosa, who plays the son, is the nicest, humblest guy I鈥檝e ever met.鈥 

Moosa, who inspired the movie, is, in real life, a medical doctor turned comedian and actor. 

鈥楳aterial鈥 certainly got movie reviewer Barry Ronge all choked up and he described it as 鈥渟uch a wonderful film鈥, so bets on it鈥檚 going to be a giant success and earn back Apteker some of the millions he has invested in film-making over the years. 鈥淚 really hope so or I鈥檒l have a lot of people screaming at me on the phone,鈥 smiles the man who, when once asked how to make a small fortune from the movie business, replied: 鈥淪tart with a big fortune鈥.

Ed鈥檚 note: 鈥楳aterial鈥 was directed by fellow 杨贵妃传媒ie Craig Freimond (BA DA 1989)

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